Katharine Hepburn in The Philadelphia Story, 1940.
Gary Cooper in The Last Outlaw, 1927
Madame X (detail) by John Singer Sargent (1856-1925)
oil on canvas, 1883-4
Bette Davis, 1937.
Is Stephen Sondheim’s “Sweeney Todd” an opera or a musical? Bass-baritone Bryn Terfel explains the dilemma.
See the star-studded production on Live From Lincoln Center on PBS, September 26 (check local listings)